Les statues meurent aussi (1953). (n.d.). WEEK 51 17-12 t/m 23-12. Comment des statues aussi hors norme, faites de roche, peuvent-elles mourir ? Il fut commandité par la revue Présence africaine.Un film de légende, interdit pendant dix ans. We cure the black of his diseases, it is certain. This botany of death is what we call culture. The subject is this naturally ungrateful earth this naturally troublesome climate and inside work, at an unfathomable scale, the rhythm of the factory confronting the rhythm of nature: Ford meets Tarzan. And, white or black, our future is made of this promise. Les statues meurent aussi est un court métrage de 30 minutes consacré à l’art africain, réalisé par Alain Resnais et Chris Marker en 1953. Koop Dvd, blu-ray Les Statues meurent aussi. Les statues meurent aussi (1953) cast and crew credits, including actors, actresses, directors, writers and more. Réalisé avant le processus de décolonisation qui débuta en 1955, le film fut interdit de diffusion pendant dix ans. C, (1953) Les Statues Meurent Aussi (Statues Also Die). The subject is this black man, mutilated from his culture and without contact with our culture. AKA: Statues also die. When men die, they enter into history. Colonizers of the world, we want everything to speak to us: the beast, the dead, the statues. There, that is the black artist who says it. The man who had impressed his mark upon things accomplishes now empty gestures. Look carefully at their scars, this magnetic field where every shape from sky and earth comes into being. On y parlait des œuvres africaines entrées dans les musées européens. It can also be rough, like this earthen ball protecting the harvest, or, still, connected to the earth, to death, by means of shape and by means of matter. Because of its criticism of colonialism, the second half of the film was banned in France until the 1960s.[1][2]. Text by Chris Marker, ed. Black art, we look at it as if it had its reason for being in the pleasure it gives us. Tuesday, March 5, 2019 at 7:00 PM – 8:15 PM UTC+01. Please seek permission before sharing or reproducing any content. The intentions of the black who created it, the emotions of the black who looks at it, all of that escapes us. A chalice is not an art object, it is a cult object. Traveller’s tales spoke of monsters, flames, diabolical apparitions. L’élan mondial qui met à bas les monuments dédiés à des figures esclavagistes et colonialistes n’a rien d’inédit. By Jean Négroni. And so a new form of art shows up: the art of fighting. Een nogal persoonlijke, indrukwekkende kijk op de Afrikaanse kunst. And it is fair that the black feel pride about a civilization which is as old as ours is. [3] She notes how the objects in Statues Also Die are shown almost as if they were alive: "Marker's camera treats all subjects in front of its lens without differentiating between humans, statues, animals, landscapes, architecture, or signs. Les statues meurent aussi subtitles. De bioscoopprogramma's in … De makers werpen in eerste instantie de vraag op over het nut van kunst in een museum en daarna tonen ze beeldreeksen, die ze van commentaar hebben voorzien. Here is the first division of Earth. It is its smile of Reims that she gazes upon (a city in NE France: cathedral; unconditional surrender of Germany May 7, 1945.). The film won the 1954 Prix Jean Vigo.Because of its criticism of colonialism, the second half of the film was banned in France until the 1960s. In order to lift it up again, the Church attempts a métissage: the black-christian art. 12th. Go to properties to change font size. Les Statues Meurent Aussi. Which song cradled this little princess? C'est ainsi que commence ce documentaire controversé qui pose la question de la différence entre l'art nègre et l'art royal mais surtout celle de la relation qu'entretient l'Occident avec cet art qu'elle vise à détruire sans même s'en rendre compte. From such heights, Africa is a wonderful laboratory where it is possible to partially prefabricate the kind of good black dreamt up by the good whites. Et dont certaines sont toujours à l’œuvre. Les statues meurent aussi est un court métrage documentaire français réalisé par Chris Marker, Alain Resnais et Ghislain Cloquet, sorti en 1953.. As research continued, the disintegrating effects of colonialism became more prominent in the filmmakers' approach to the subject. Soichi Datsa's research program Monthly on www.lyl.live. The idea of a dead statue is present throughout the whole film, dead statue is explained as a statue which has lost its original, timely significance and has become reduced to a museum object similarly to a dead person who can be found in history books. D’ivoire et chair – les statues souffrent aussi (de marfim e carne – as estátuas também sofrem) a su se tailler une réputation de pièce culte depuis sa création en 2014. Through life, this double takes sometimes the form of the shadow or of the reflection in the water and more than one man gets angry for being hit right there. Commandité par la revue Présence africaine à l’aube des décolonisations, ce documentaire interroge avec virulence la place de l’art nègre en Occident. Prayer for motherhood, for the fertility of women, for the children’s beauty, it can be covered with ornaments which have the value of illuminations. This little orange ripened in the caves of Benin? Because there is no rupture between African civilization and ours. Quand les statues sont mortes, elles entrent dans l'art. Science, as magic, admits the necessity of the sacrifice of the animal. Stream LYL Radio | Les Statues Meurent Aussi (19.07.18) by Les Statues Meurent Aussi from desktop or your mobile device LES STATUES MEURENT AUSSI Exhibition by Jan Mammey, Falk Messerschmidt, Fabian Reimann at the Palais de la Porte Dorée on view until March 3rd 2019 Black upon black, black battles in the night of time, the sinking has left us only with this beautiful striped wreckage which we interrogate. Les statues meurent aussi de Alain Resnais et Chris Marker. Soichi Datsa's research program « Quand les hommes sont morts, ils entrent dans l'histoire. Converting Desire2Learn to Canvas overview. http://sensesofcinema.com/2012/feature-articles/statues-also-die-or-schroedingers-black-cat/, https://www.cineclubdecaen.com/realisat/resnais/statuesmeurentaussi.htm, https://www.youtube.com/watch?v=hzFeuiZKHcg&t=908s, https://en.wikipedia.org/wiki/Statues_Also_Die, https://chrismarker.org/les-statues-meurent-aussi/, https://www.tate.org.uk/whats-on/tate-modern/magiciens-de-la-terre-reconsidered/magiciens-reconsidered-1-exhibition-screen, http://transcriptvids.com/v/hzFeuiZKHcg.html. The black statue is not the God, it is the prayer. Des Statues meurent aussi en 1953 à Chats perchés en 2004, en passant par Le Joli mai, Sans Soleil, Level Five et tant d’autres, en tout une cinquantaine de films, dont un chef d’œuvre mythique et matriciel, La Jetée en 1962, Chris Marker a signé une œuvre profuse et inventive, qui réfléchit sur la nature même de l’image cinématographique et son rapport à la réalité. Alter further writes that as the film asserts that colonialism is responsible for the “disenchantment and demystification” of African culture, Statues Also Die “illustrates the process whereby a religious fetish is transformed into a commodity fetish by Western civilization. Hosted by Musée des Confluences. And death is always a country where one goes forth at the cost of one’s memories. Inspirée par le mythe de Pygmalion et du film Les statues meurent aussi d’Alain Resnais et Chris Marker (1953), Marlene Monteiro Freitas convoque des figures transgressives et outrancières dans un bal halluciné. Also an art of portraits. Art here begins in the spoon and ends up in the statue. Less remarked, it is prefigured by the only equality denied to no one… …that of repression. It happens that he cries “foul” when things are turning out bad. In-depth Analysis: http://sensesofcinema.com/2012/feature-articles/statues-also-die-or-schroedingers-black-cat/. Chris Marker and Alain Resnais, France, 1952–53, 30 min. And we can take its light for a smile, or else its glow for a tear, and feel touched, on the condition of knowing that these images ignore us, that they are from another world, that we have nothing to do in this gathering of ancestors who are not our ancestors. (n.d.). "Les statues meurent aussi", c'est le titre d'un grand film de Resnais. We are not redeemed by shutting off the blacks within their own celebrity. Aux Etats-Unis, des manifestants viennent de décapiter une statue de Christophe Colomb. [6], harvnb error: no target: CITEREFAlter2006 (, harvnb error: no target: CITEREFWilson2006 (, https://en.wikipedia.org/w/index.php?title=Statues_Also_Die&oldid=993172937, Documentary films about African resistance to colonialism, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 December 2020, at 04:27. Lastly the narrator argues that we should regard African and European art history as one inseparable human culture. Les statues meurent aussi (The Statues Also Die) Alain Resnais Vannes, France, 1922 - Paris, France, 2014 Chris Marker Neuilly-sur-Seine, France, 1921 - Paris, France, 2012 Show Map. 209 likes. Le film était une commande de la revue Présence africaine.Partant de la question « Pourquoi l’art nègre se trouve-t-il au musée de l’Homme alors que l’art grec ou égyptien se trouve au Louvre [1] ? Temporal power practices the same austerity. The film argues that colonial presence has compelled African art to lose much of its idiosyncratic expression, in order to appeal to Western consumers. From the question "Why is the african in the Human museum while Greek or Egyptian art are in Le Louvre? The harnessing of malevolent forces. about 6 months ago. Directed by Ghislain Cloquet, Chris Marker, Alain Resnais. 18 rue Gosselet, 59000 Lille, France. Contemporaries of Saint Louis, of Joan of Arc, they are even more unknown to us, than those of Sumer and Babylon. Who loses and who wins in the exchange has been of no concern whatsoever. MENU. It is much closer to us, that we are going to find the true black art, that which puzzles us. A documentary of black art. It will torment the living until it has taken on its former appearance. A civilization leaves behind itself these mutilated traces like the pebbles dropped by Petit Poucet (Charles Perrault). Everything here is about cult. The film won the 1954 Prix Jean Vigo. It presents sometimes with magic a strange relationship of gestures. Frankrijk, 1953, 20 min, documentaire. All Rights Reserved. Les statues meurent aussi est un documentaire français réalisé par Chris Marker et Alain Resnais sorti en 1953. Available at: Tate. It is always against death which one fights. The faces of black art fell off from the same human face, like the serpent’s skin. Thesentür: Conscientious Objector to Formalism is a series of a minimal image- and quotation-based works using poetry to confront mainstream art criticism/history. Then all this protective apparatus which gave sense and form to black art dissolves and disappears. Where man affirms his reign over things by imprinting his mark and sometimes his countenance upon them. She notes how the objects in Statues Also Die are shown almost as if they were alive: “Marker’s camera treats all subjects in front of its lens without differentiating between humans, statues, animals, landscapes, architecture, or signs. The film argues that colonial presence has compelled African art to lose much of its idiosyncratic expression, in order to appeal to Western consumers. Available at. Ancien secrétaire de Jean Moulin pendant la Seconde guerre mondiale, Daniel Cordier (né en 1920), marchand de tableaux et collectionneur, est à l’origine d’une des plus grandes donations d’œuvres d’art à l’Etat français, dont la grande majorité est en dépôt à Toulouse, aux Abattoirs. Bikoro's work explores narratives about community, political interventions, memory and heritage. © 2020 University Arts London. Aujourd'hui sur Rakuten, 4 Les Statues Meurent Aussi vous attendent au sein de notre rayon . Black was already the color of sin. Try to distinguish here which one is the Earth and which one is the cloth, which one is the black skin and which one is the Earth seen from an airplane, which one is the bark of the tree and that of the statue. We recognize Greece in an old African head of 2000 years; Japan in a mask from Logoué; and still India; Sumerian idols; our Roman Christ; or our modern art. Et cela, aussi bien du côté du neuf que des produits Les Statues Meurent Aussi occasion. Marker’s characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture. Because the familiarity of the dead leads to the domestication of death, to the government of death by means of spells, to the transmission of death, to the charming of death by means of the magic of shells. Les Statues meurent aussi/Statues also Die (1953, France, 30 mins). Réalisé par Alain Resnais, Chris Marker. And their eternal countenance takes, sometimes, the shape of a root. The opening section in Duncan Campbell’s video work It for Others, shortlisted for this year’s Turner Prize, is a response to Alain Resnais and Chris Marker’s film Les statues meurent aussi.It turns out the latter is on YouTube: it’s well worth a half-hour of your time. An art of the flower-pot, the paperweight and the souvenir pen-rack, where one sees, transparently, the Tower of Babel. In the last century, the flames of conquerors turned this whole past into an absolute enigma. No. We pay the blacks to give us the comedy of their joy and their fervour. Skip to Main Content God showed him the way, he imitates God and this is the way in which he invents man. Here is the fetus of the world. Les statues meurent aussi : violences symboliques et iconoclastes arabes La « guerre des statues », une expression de la presse arabe, est lancée ! A god made these gestures. But death is not only something one bears, it is something one gives. Because they are written on wood, we take their thoughts for statues and we find the picturesque there, where a member of the black community sees the face of a culture. Steun BiosAgenda.nl Dank voor je hulp. Henceforth incapable of expressing the essential, the sculptor seeks after resemblance. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming … Not as boring as it sounds and looks on the movie poster. Les statues meurent aussi discusses the perception of African sculptures from a historical and contemporary European perspective. But at the same time it receives this title of glory, black art becomes a dead language and that which is born over its death is the jargon of decadence. 425 Followers. And the sorcerer captures in his mirror the images of this country of death, where one goes by losing one’s memory. Here is the death of an animal. (n.d.). His strength serves us, his prowess amuses us, on the side, he serves us as well. Apr 16, 2012 - Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. A mention is made of how African currencies previously had been replaced by European. Look well at this technique, which frees mankind from magic. Each time even more degraded replicas of the beautiful pictures invented by African culture are fabricated. Interweaved with the objects are a few scenes of Africans performing traditional music and dances, as well as the death of a disemboweled gorilla. Inspired by Chris Marker & Alain Resnais' 1953 film Statues Also Die, these triptych images turn Rembrant's Draper's Guild painting into a critique of Euro-Imperialism. We disembark from our planet with our way of seeing, with our white magic, and with our machines. [online] Available at: En.wikipedia.org. And they are not so much idols as toys, serious toys which have no value except for what they represent. These great empires are now dead kingdoms to history. Commissioned by the journal Présence Africaine, this film offers reflections on the significance of African objects as gathered in ethnographic museums in Europe and as originally produced. These heads don’t have to be frightening, they have to be fair. Into this country of gift and exchange, we have introduced money. But if their history is an enigma, their shapes are not foreign to us. Les statues meurent aussi (1953). And it is the same art. The virtue of blood. The idea of a dead statue is explained as a statue which has lost its original significance and become reduced to a museum object, similarly to a dead person who can be found in history books. a live art performance adaptation from Chris Marker & Alain Resnais by Nathalie Mba Bikoro Pitts Rivers Museum Oxford UK October 2014 Hosted by L'hybride, Lille and Survie Nord. But this brotherhood in death is not enough for us. Les statues meurent aussi (1953) Jean Négroni as Récitant, Narrator. 86 quai Perrache, 69002 Lyon, France. Si vous êtes fan de lecture depuis des années, découvrez sans plus tarder toutes nos offres et nos bonnes affaires exceptionnelles pour l'acquisition d'un produit Les Statues Meurent Aussi Ode Au Grand Art Africain. The film exhibits a series of sculptures, masks and other traditional art from Sub-Saharan Africa. Our ancestors can look at each other face-to-face without looking down with empty eyes. The Exotic Other : Statues Also Die (Les Statues Meurent Aussi) (1953) Posted on March 15, 2016 March 16, 2016 Categories Art , Colonialism , Film Tom Denison, Centre for Organisational and Social Informatics, Monash University