Les auteurs montrent les relations existantes entre la musique et le langage, le rôle, l'importance et les dysfonctionnements éventuels du traitement des émotions dans la musique ainsi que les troubles congénitaux des capacités ... Les contributions du volume mettent en avant les utilisations et les effets réels de la musique et, notamment, le rapport privilégié des pratiques musicales aux émotions. Introduces the scientific study of the relationship of music to emotions and presents the results of two major experiments designed to relate mood changes to specific musical stimuli Après une longue période où la musique était considérée comme un pur jeu de formes, une attention renouvelée se manifeste aujourd'hui pour le contenu émotif et sémantique de la musique. Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for ... This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions. Qu’est-ce que l’émotion ? est la première question à laquelle essaie de répondre ce travail d’ordre à la fois musical et psychologique. Trouvé à l'intérieur – Page 371ou de musique instrumentale , - est de nature à exciter au plus haut point les émotions humaines . Qui de nous en assistant à un ... D'où vient cette relation entre la musique et les émotions qu'elle éveille ? Puisque la musique et les chants ... This book looks at the historic and contemporary links between music's connection to emotions and men's supposed discomfort with their own emotional experience. This book is one of the first academic attempts (regardless of region or country of scope) to try to solve some of the most important problems the affective turn has identified regarding how music and dance have been researched so far, such ... Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. This interdisciplinary collaboration, while respecting differences in perspective, identifies and elaborates shared concerns. This volume focuses on the many and various kinds of meaning in music. Trouvé à l'intérieur – Page 47J ' avais un ami médecin que la musique ne pouvait même pas déranger . Il n ' y avait pas de relations entre la musique et lui , elle ne le dérangeait pas , elle ne lui apportait pas d ' émotions . Et c ' était pourtant un homme très intelligent ... L'expérience musicale est essentiellement émotionnelle. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. In Roma Music and Emotion, author Filippo Bonini Baraldi forges a much-needed theory of music, emotion, and empathy from an anthropological perspective, addressing the failure of the prevailing psychological theories on music and emotion to ... But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Dans le présent numéro intitulé " Emotions ", le lecteur trouvera une étude approfondie des relations entre musique et émotions, historiquement un problème avant tout philosophique, connaît depuis quelques années un développement ... Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for every student interested in music and discusses music theories. The book is accessibly written by one of the leading researchers in the field worldwide. Jusqu'ou notre reaction emotionnelle a la musique determine-t-elle la valeur d'une oeuvre ? "The current study examined the relationships between emotions, different cultures, and several musical elements. The book also provides an introduction to the latest approaches to emotion research, as well as an original theory of how musical emotion works. The book is disposed in two parts. A new volume in the Series in Affective Science, Music andEmotion; Theory and Research brings together leading researchers interested in both these topics to present the first integrative review of this subject. Trouvé à l'intérieur – Page 14A3 The living process which is perceived in a musical work is the work ' s own life , the relationship between the tones . Similarly , one might ask whose emotion is heard if “ to hear music is to hear emotion . ” Zuckerkandl replies that it is not ... This book will serve as an inviting introduction to students or interested laypersons but also as a touchstone to which professionals will return frequently for guidance and inspiration. Judith Becker brings together scientific & cultural approaches to the study of music & emotion, & music and trancing. Trouvé à l'intérieur – Page 173Interestingly, the role of time in the automatic recognition of emotions in ... We also discuss modeling the relationship between the temporal evolution of ... This book introduces the reader to the problem associated with the relationship of music to emotions, outlines a scientific approach to this problem, and presents the results of two studies which explored the relationship of mood and ... Trouvé à l'intérieur – Page 153Fragments toward constructionist biocultural theory , with attention to the relationship of “ music ” and “ emotion ” lain D. Edgewater I have observed that ... This study examined the relationship between musical training and the emotional comprehension of prosodic sentences in a special population, individuals with Williams syndrome. The book Emotional Intelligence: A Cybernetic Approach, to the best of the authors’ knowledge is a first compreh- sive text of its kind that provides a clear introduction to the subject in a precise and insightful writing style. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology The high level of happiness observed in the review may actually point to the experience of pleasure. In dramatic music all the sounds used need not have a fixed relationship to each other. In classical, lyrical and ecclesiastical music the sounds should all have this fixed relationship. Trouvé à l'intérieur – Page 555D'où vient cette relation entre la musique et les émotions qu'elle éveille ? Puisque la musique et les chants passionnés ne sont qu'une forme de l'expression émotionnelle , il semble que pour rendre raison de l'impression qu'ils produisent sur ... Seminar paper from the year 2008 in the subject Psychology - General, University of Fribourg (Departement für Psychologie), language: English, abstract: The current paper investigates the influence that variations in musical presentations ... This new volume in the Series in Affective Science is the first book in over 40 years to tackle the complex and powerful relationship between music and emotion. Such an approach results either in the unpersuasive view that musical expressiveness is somehow akin to human expressive gesture, or in the view that music arouses feelings which have no specific object and, unavoidably, no necessary ... Juxtaposing artistic and musical representations of the emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century, the essays collected in this volume explore the ways in ... Trouvé à l'intérieur – Page 23Others have also made claims that emotion is present in music . A frequently quoted , but briefly presented , discourse by Grace Rubin Rabson ( 1977 ) goes so far as to assign elements to moods : for example , sad music is soft , slow , and low ...
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