Ils ont répondu à la fois aux artistes du passé comme Albrecht Dürer, Matthias Grünewald et Lucas Cranach l'Ancien, ainsi qu’aux mouvements d'avant-garde contemporains internationaux. [4] Bleyl described one such model, Isabella, a fifteen-year-old girl from the neighbourhood, as "a very lively, beautifully built, joyous individual, without any deformation caused by the silly fashion of the corset and completely suitable to our artistic demands, especially in the blossoming condition of her girlish buds. Brücke-kunstenaars wilden de essentie van het creatief vermogen direct en eerlijker in beeld brengen en aldus hun eigen emotie manifesteren. Vier studenten aan de Technische Hochschule te Dresden, (Ernst-Ludwig Kirchner, Fritz Bleyl, Karl Schmidt-Rottluff en Erich Heckel), riepen in 1905 de Künstlergemeinschaft Die Brücke in het leven. This was not a success and closed the following year. Een essentiële inspiratiebron hierbij was de Noor Edvard Munch, die meerdere grote tentoonstellingen in Dresden hield, waar vooral Kirchner erg van onder de indruk was. De uitgever van het blad "Der Sturm", H. Walden, werd de grote verdediger van het werk van "Die Brücke". Later members were Emil Nolde, Max Pechstein and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism. Seifert and Co. in Dresden.[10]. Choose your favorite die brucke designs and purchase them as wall art, home decor, phone cases, tote bags, and more! Le … The Brücke is therefore one of the earliest German artists associations which had a crucial impact on the development of classical modern art. Die Brücke was een kortstondig bestaande beweging in de beeldende kunst (1905-1913), gevormd door een groep expressionistische kunstenaars uit de Duitse stad Dresden . De stichters zijn Ernst Ludwig Kirchner, Fritz Bleyl, Karl Schmidt-Rottluff en Erich Heckel, op dat moment allen studenten bouwkunde in Dresden. Die Brücke was founded by Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt (later Schmidt-Ro ttluff) as an artist's associatio n in Dresden in 1905. [2], The founding members of Die Brücke in 1905 were four Jugendstil architecture students: Fritz Bleyl (1880–1966), Erich Heckel (1883–1970), Ernst Ludwig Kirchner (1880–1938) and Karl Schmidt-Rottluff (1884–1976). In 1913 veroorzaakte Ludwig Kirchner de ontbinding van "Die Brücke" met zijn "Brücke-Chronik", die door de overige leden afgekeurd werd. The Brücke Museum in Berlin was named after the group. „Die Brücke“ war eine deutsche Künstlergruppe des Expressionismus, die 1905 in Dresden gegründet wurde und sich 1913 auflöste. Bekijk meer ideeën over Kunst, Kunstenaar, Dresden. 28-nov-2019 - #ART #Die #Brücke. [9] Bleyl described the studio as: Kirchner's became a venue which overthrew social conventions to allow casual love-making and frequent nudity. Artist’s alternative names: KG Brücke, The Bridge All die brucke artwork ships within 48 hours and includes a 30-day money-back guarantee. Die Brücke (kunst), een beweging uit de beeldende kunst (1905-1913) Die Brücke (1959) , een film over de Tweede Wereldoorlog Bekijk alle artikelen waarvan de titel begint met Die Brücke of met Die Brücke … [4] Group life-drawing sessions took place using models from the social circle, rather than professionals, and choosing quarter-hour poses to encourage spontaneity. Die Brücke is sometimes compared to the roughly contemporary French group of the Fauves. Begonnen als een soort emotioneel impressionisme werd het al gauw de tegenhanger van het Franse fauvisme. Die Brücke tentait d’éviter le style traditionnel répandu et de trouver un nouveau mode d'expression artistique, ce qui forme un pont (d'où le nom) entre le passé et le présent. konnte mit dem Erwerb den Sammlungsbestand des Museums um eine bedeutende Arbeit erweitern. Inspiratie daartoe zochten ze in het omringende leven, vooral in de natuur, in doordringende studies van het vrouwelijk naakt en in het stadsleven. Die Brücke was founded on 7th June 1905 by four architecture students. [4] They responded both to past artists such as Albrecht Dürer, Matthias Grünewald and Lucas Cranach the Elder, as well as contemporary international avant-garde movements. From the past, they chose to reassert Germany's rich artistic history, taking inspiration from the print and painting techniques of Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. [11], Peter Selz, German Expressionist Painting, Berkeley: University of California Press, 1957, p. 78, "The Student Years of the Brücke and their Teachers", "Ernst Kirchner's Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913-16", https://en.wikipedia.org/w/index.php?title=Die_Brücke&oldid=991289832, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 29 November 2020, at 08:23. "[10], The group composed a manifesto (mostly Kirchner's work), which was carved on wood and asserted a new generation, "who want freedom in our work and in our lives, independence from older, established forces. Zowel Die Brücke als Der Blaue Reiter vormden de kern van het Duitse expressionisme. Vier Architekturstudenten – Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluffund Fritz Bleyl – schlossen sich zu gemeinsamer autodidaktischer Kunstübung zusammen. "[4], In September and October 1906, the first group exhibition was held, focused on the female nude, in the showroom of K.F.M. The group was later joined by Max Pechstein (1881-1955), Otto Mueller (1874-1930) and Emil Nolde (1867-1956). Bekijk meer ideeën over dresden, kunstenaar, kunst. [4] Kirchner continued studies in Munich 1903–1904, returning to Dresden in 1905 to complete his degree. They met through the Königliche Technische Hochschule (technical university) of Dresden, where Kirchner and Bleyl began studying in 1901 and became close friends in their first term. Later members were Emil Nolde, Max Pechstein and Otto Mueller. As a result, the style of a number of painters is associated to Die Brücke, even if they were not formerly part of the group. Detail was relatively sparse, just enough for the viewer to identify different elements of the composition, leaving portraits with a … The Artistic Style of the Die Brücke Movement Portraits, landscapes and scenes of city life form most of their paintings produced under this theme of "The Bridge". Its name translates as “The Bridge,” a metaphor for art’s purpose of opening passage to new worlds. Like other young German artists, they were disciples of Vincent van Gogh and Edvard Munch—the Northern artists, and they were influenced by the “barbaric” figures of primitive art. In 1911 verhuisden Kirchner, Heckel en Schmidt-Rottluff naar Berlijn, waar Pechstein en Müller sinds 1909 al verbleven. For a later German Expressionist style, see: Die Neue Sachlichkeit. [7], Die Brücke aimed to eschew the prevalent traditional academic style and find a new mode of artistic expression, which would form a bridge (hence the name) between the past and the present. Some of the movement 's leading painters were Vincent van Gogh, Paul Gauguin, Edvard Munch, Wassily Kandinsky among others. Later members were Emil Nolde, Max Pechstein and Otto Mueller. [7], As part of the affirmation of their national heritage, they revived older media, particularly woodcut prints. Ernst Ludwig Kirchner: Spielende nackte Menschen, 1910/11, https://nl.wikipedia.org/w/index.php?title=Die_Brücke_(kunst)&oldid=52210874, Wikipedia:Commonscat met lokaal zelfde link als op Wikidata, Creative Commons Naamsvermelding/Gelijk delen. Ze namen in 1910 deel aan de eerste expositie van de Neue Sezession en kwamen daarbij in contact met August Macke en Franz Marc, de mannen van de "Neue Künstlervereinigung". The Brücke Museum in Berlin was named after the group. De tekst is beschikbaar onder de licentie. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism. The arts of Africa and the South Sea obviously influenced the creations of Die Brücke. The group was founded in 1905 in Germany by four architectural students in Dresden— Karl Schmidt-Rottluff , who gave the group its name, Fritz Bleyl , Erich Heckel , and Ernst Ludwig Kirchner . Die Brücke (The Bridge) The artists’ group Die Brücke was established in 1905, a moment that is recognized as the birth of Expressionism. Die Brücke was een kortstondig bestaande beweging in de beeldende kunst (1905-1913), gevormd door een groep expressionistische kunstenaars uit de Duitse stad Dresden. In Duitsland dankt men aan Die Brücke de heropleving van de belangstelling voor de houtgravure, een medium dat door zijn moeilijke hanteerbaarheid in de tijd van de academische schildervoorschriften als onhandelbaar gezien werd. Die Brücke rejected the approach of Impressionism in art and searched for intensive and emotional painting by using emotive and unbroken colors in strong forms. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to complete abstraction. V.l.n.r. After first concentrating exclusively on urban subject matter, the group ventured into southern Germany on expeditions arranged by Mueller and produced more nudes and arcadian images. [4] The group developed a common style based on vivid color, emotional tension, violent imagery, and an influence from primitivism. [1] The group came to an end around 1913. Between 1907 and 1911, Brücke members stayed during the summer at the Moritzburg lakes and on the island of Fehmarn. Die Brücke has been featured in articles for the Art Market Monitor, the ArtDaily and the ArtDaily. Die Brücke Belangrijke Duitse kunstenaarsgroep van het expressionisme. They were: Ernst Ludwig Kirchner (1880-1938), Erich Heckel (1883-1970), Karl Schmidt-Rottluff (1884-1976) and Fritz Bleyl (who left shortly afterwards). The artists of Die Brücke were often compared to the Fauve painters in Paris due to their bright, vivid canvases and their semi-abstract handling of the human form. [5], Die Brücke was one of two groups of German painters fundamental to Expressionism, the other being Der Blaue Reiter group ("The Blue Rider"), formed in Munich in 1911. Brücke Brücke was a German expressionist group founded in Dresden in 1905 which developed a radical anti-traditional style characterised by vivid non-naturalistic colour and emotional tension Twitter An art movement dominant in Germany from 1905-1925, especially Die Brücke and Blaue Reiter, which are usually referred to as German Expressionism. Der Fördererkreis Brücke-Museum e.V. Die Brücke (El Puente) es la tendencia artística de un grupo de pintores alemanes expresionistas reunidos en Dresde entre 1905 y 1913.En 1913 "La crónica" de Kirchner provoca la disolución de este grupo de artistas. : Otto Mueller, Kirchner, Heckel, en Schmidt-Rottluff. Die Brücke is opgericht op 7 juni 1905 in Dresden. Dit is slechts de directe aanzet voor het opbreken van de groep. Although works by Die Brucke artists hang in many of the world's best art museums, good collections can be viewed at these institutions: - Brucke Museum, Berlin - Kunsthaus, Hamburg. Its name translates as “The Bridge,” a metaphor for art’s purpose of opening passage to new worlds. Along the way, we find candid nudes, crowded street views, and blissful bathing idylls, each of them vivid with energy and intent on a new kind of art. Oorspronkelijk was het de bedoeling gezamenlijk te werken, om zich los te maken van de uitgehold geachte academische stijltheorieën. Vooral Kirchner en Heckel werkten erg overeenkomstig. Kirchner’s Nude Dancers exemplifies the freedom that the young artists of the Brücke group sought in their life and in their art. La pintura del grupo Die Brücke es una de las primeras expresiones de las vanguardias del siglo XX.Busca experimentar e innovar, pero también efectuar una protesta … Zuletzt war das Bild, das noch seinen originalen Künstlerrahmen besitzt, als Dauerleihgabe des Nachlasses Erich Heckel im Brücke-Museum untergebracht. [3] They discussed art together and also studied nature,[3] having a radical outlook in common. [5] In 1911, Kirchner moved to Berlin, where he founded a private art school, MIUM-Institut, in collaboration with Max Pechstein with the aim of promulgating "Moderner Unterricht im Malen" (modern teaching of painting). The group members initially "isolated" themselves in a working-class neighborhood of Dresden, aiming thereby to reject their own bourgeois backgrounds. The influence of Die Brücke went far beyond its founding members. We examine Die Brücke’s key works and protagonists; its varied, international inspirations; and its crucial influence on later 20th century art. The group came to an end around 1913. Die Brücke (kunst) Groepsportret van 'Die Brucke' door Kirchner, 1927. Die Brücke 1905 - 1913 The Künstlergruppe Brücke was founded on 7 June 1905 in Dresden by four architecture students: They were united by a common aim to break new boundaries in art. Een andere inspiratiebron was Vincent van Gogh. [3] Otto Mueller (1874–1930) joined in 1910. Die Brücke came together to exchange ideas and to break from the popular art styles, from realism to Impressionism to Jugendstil (German art nouveau).